The Fourth Wine

Four stainless wine taps on a tasting room bar, each with a handwritten chalk tag reading Cabernet Sauvignon, Malbec, Montepulciano, and Petite Sirah.

The event was Saturday, the day before the conference opened, which meant everyone drove themselves. Fourteen of us, in fourteen cars, from a hotel on the coast to a building in a parking lot off the main road that at least three people drove past the first time. There is no sign worth the name. Hoteliers, meeting planners, and tourism professionals from around California. The wine group inside the association meets a few times a year and builds something around the major conferences, and this was the something. The area is not wine country and does not pretend to be. Finding a winery within a reasonable drive had taken the organizer weeks, and the one she found sold a wine blending session.

What she booked was on the winery’s own site. Step into the role of a winemaker for the day. Trained staff guiding the group through building a custom red blend to take home. Tasting notes on each wine, and an explanation of what each varietal contributes. Graduated cylinders and beakers for experimenting and adjusting the blend to taste. She forwarded the page to the group in the confirmation email.

The owner had told her he would be there to greet the group personally. She mentioned it in that same email and again in the parking lot.

He was skiing at Mammoth. The woman behind the counter said so without looking up for long, the way a person delivers information she has already delivered several times that week.

Inside was cool and dim and smelled correct. Barrels by the door in the way barrels get stacked by doors.

The exercise was a blending session. Four component wines, tasting sheets, an hour to build something and argue about it. There were three wines. They came from taps behind the bar, which is a sensible way to run a blending program and not a criticism of anything. She mentioned the missing one on her way past, in the same tone she used for the location of the restrooms, and nothing followed it. No adjustment to the exercise, no revised sheet, no word on how to proceed with three against four columns. The sheets had been printed for four, so every column header was there and the last one had nothing to go in it.

Against the far wall was the retail rack. Bottled wine, priced, several cases of it, in a building whose reason for existing is that it has wine in it. Nobody went over and opened one.

The one they were out of was the Petite Sirah. In California that is the wine that supplies color and backbone, the component a blending exercise is usually built around, and it was the column with nothing to put in it.

What was left was Cabernet Sauvignon, Malbec, and Montepulciano. The Montepulciano was worth a sentence on its own. It is an Italian grape, it is rare here, and it does not belong on a table with the other two unless somebody made a decision about it. The sentence never came.

Each of the four was labeled California. No county, no valley, no vineyard. A California appellation means the fruit can come from anywhere inside the state, which is a legitimate thing to bottle and an odd thing to put in front of a room and ask them to think about. Where the fruit grew, what the soil did, why those grapes were together, what the house was trying to prove with the exercise. None of that. Names, and then the glasses.

The station was half right.

The sheet was well built. A circle for each of the four wines and room to record five separate blends, which is a form laid out by somebody who understood that the exercise only works if a guest can make something, taste it, find what is wrong with it, and go again. Somebody at that property had thought about this once.

What sat on the sheet was a single beaker with the graduations worn off it. The site had promised graduated cylinders. Nothing on that table could produce a number, and the sheet had a blank line waiting for one.

What arrived in the glasses was a tasting pour of each. Enough wine for one attempt, on a form with room for five. The person who designed the afternoon and the person who poured it had never spoken to each other.

She said, “Let me know if you need anything.”

Then she went behind the desk.

Then the questions started, and they were all directed sideways. Someone asked the person next to her whether they were supposed to measure by eye. Someone asked where the Montepulciano came from and got the varietal again, because that was all anyone had. Nobody let her know they needed anything, because it was already clear that the offer and the person who made it had left the room together.

Eleven of the fourteen switched to a tasting.

Nobody announced that. It happened the way those things happen, one person at a time drifting toward the far end of the bar and asking for a pour of something, until most of a group that had driven an hour to blend wine was working through a standard flight instead. They had paid for the blending. They took the tasting because it was the thing available that required nobody.

Three of us did the exercise. I was one of the three. The other two were moderately experienced, which is to say they knew enough to want to try and not enough to be told why any of it worked.

We worked the beaker in turn. Even thirds first. Then two thirds Cabernet with the rest split between the others. Then small adjustments off whatever the last attempt had been, which is exactly how the exercise works when it works. The Malbec was doing the softening and the Montepulciano was doing something on the finish that none of us had the vocabulary for on the spot and nobody was there to supply.

Then the wine ran out.

The pours were tasting pours. One pass through the three and the glasses were dry. Blend 1 was the only line any of us filled, and there were four more printed underneath it.

Every guest in that room sends people places for a living.

At the counter people started asking for their money back. Not all of them and not loudly, but enough of them that it was the only conversation happening in the room. She took the tasting sheets back while they asked. When one of them came up with the percentages written across the top of the page instead of inside the printed boxes, she handed it back and asked for them in the boxes.

It was the most attention anyone had received all afternoon.

Nothing was sold. Not a bottle off the rack, not a glass, not a club signup. The only wine that left the building was the three take-home bottles the three of us had filled, and those came with the price of admission.

That night the group ended up at the firepit outside the hotel. Somebody had brought down the bottles we made. The fire was not catching, and the wine went onto the wood, and after a minute or two it caught.

It did not come up at dinner the next night. It did not come up during the conference. On the last morning, when the group traded contacts and talked about where to meet next year, one of the planners asked what the place had been called.


Field Notes

What a wine blending session requires

Somebody stays in the room. The exercise is not the wine. It is the person walking the table explaining why the Malbec softens what the Cabernet is doing. Handing out glasses and walking away converts a paid experience into an unsupervised drink.

Watch for the guest who quietly downgrades. A group that switches from the experience it booked to the thing that requires no staff has not complained and has not left. It has decided the property cannot deliver, which is worse, because nobody on the floor will hear about it. A room drifting toward the standard flight is the clearest signal available that the experience has been abandoned, and it is visible from behind the counter.

Check the equipment the way the guest will use it. Cylinders and beakers are a one-time purchase and they wear. Graduations rub off, and a vessel with faded lines still looks like a measuring tool from behind the counter and is useless in a guest’s hand. Whatever the website promises is what should be on the table, in working condition, and somebody should be putting eyes on it before the group arrives rather than after the complaint.

Pour for the number of attempts the sheet allows. If the form has five blend lines, the table needs enough of each component for five blends plus tasting. A single tasting pour of each means the room gets one attempt, which is the attempt where nobody knows what they are doing yet. The guest never reaches the version they would have been proud of, and there is nothing to sell them at the end because they never made anything they liked.

Each wine gets a job, not just a name. Vineyard, vintage, and what the component contributes. This one carries the structure. This one brings the fruit forward. This one is here for acid. Varietal names alone are useless to guests who have never done this, and those are usually most of the room.

A target to build toward. Give the group something to aim at, and pour the winery’s own blend at the end so they can taste theirs against it. That reveal is the payoff, and it is the moment the house style finally gets explained.

A sheet that records ratios. Guests should leave with the recipe for what they built. That sheet is also the reorder mechanism, and the reason somebody buys a case in November.

Say where the fruit came from. A broad appellation is a legitimate way to bottle wine and a hard thing to build an hour around, because there is no place for the guest to picture. If the sourcing is broad, say so plainly and talk about what the component does instead. Silence on the question invites the room to answer it themselves, and the answer they land on is never generous.

When a component goes missing, redesign before arrival. A three-wine exercise can be run well when it was built as a three-wine exercise. Handing a room three wines against a four-column sheet with no adjustment to the plan tells the group, before anything is poured, that nobody looked at the afternoon ahead of time. The missing bottle is a supplier problem. The unchanged sheet is a Thursday afternoon problem.

The substitute is usually on the shelf. A tank or keg running dry is ordinary. A winery holding no bottled wine that could stand in for it is not. Opening a bottle off the retail rack costs one bottle and turns a shortage into the most memorable thing about the hour, since the group now knows something was done for them. The cost of not opening it is measured in whatever the group would have booked, recommended, or bought later.

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